[youpi]

Téléchargements en fin de post.

Certains jours je fais de la musique, et parfois ça tourne en trucs qui ne sont pas musicaux. Au point que ça en devient des effets sonores abstraits.
Depuis peu, je me suis mis à les enregistrer, car ils me semblent utiles pour faire des jeux.

Voici un premier pack de ces accidents, contenant pour 30 enregistrements de sons abstraits assez quelconques, chaque fichier durant environ 30 sec. et contenant parfois une dizaine de variations du même bruit.

Attention! Ce ne sont pas des bruitages prêts à l'emploi, mais vraiment des sons abstraits qu'il vous faudra fortement éditer avant de pouvoir en tirer profit. Au strict minimum il faudra les découper vous-mêmes, et ils seront sans doute plus utiles superposés à d'autres sons ou filtrés dans des effets sonores.

Ils sont distribués sous licence CC0, qui est à peu près équivalente au domaine public. Aucun crédit requis, utilisation commerciale OK.

Pour l'instant je les partage uniquement sur relite, pour voir si ça intéresse : si oui je continuerais à enregistrer d'autres volumes de ce machin, et posterais ma collection plus conséquente dans d'autres endroits.

Voici le contenu du readme du premier volume, qui dit les mêmes choses en plus long et en anglais :

Arnaud Savioz's unintentional SFX vol.1: Unpleasant noises you might wanna salvage
==================================================================================

These files are random recordings of happy accidents that happened to me in my
home studio.    
I only keep them around because I develop video games, where they can be a good
source of SFX, especially as very short splices.    
I only share them because I have no reason not to. I don't expect people to
find a lot of value in them.    
Because all these sounds come from musical experimentation gone very unmusical,
there is not a very wide range of sounds here.    
Most likely usages: abstract GUI sounds, sci-fi sounds, abstract fantasy sounds,
scary ambiances. 

**Creativity and boring editing work will be required of you to make these files
into something useful.**  I can't alter the sounds I provide to make them more
suitable to you: they were, like I said, happy accidents, that I didn't bother
to save after recording. I generally have no clue how to reproduce them.

I hope I've done a good enough job of keeping your expectations low. **Do not
bother with the download if you fear I might waste your time.**

In the files I share, the sound sources are always synthesizers, my original
audio (as in, making weird noises in the mic), or my electric guitar; all
performed live, and so mangled by long chains of effects that you generally have
no way to know what it sounded like dry. In other words, no samples with
complicated licensing issues were used as a source.
Regardless, I provide absolutely no warranty about their copyright status and I
disclaim all liability about pretty much everything people generally disclaim
liability about.

In general, each file contains a long performance of variations on a specific way
of making some noise. You'll want to load them in a media player such as Winamp
for convenient auditioning. The files are in FLAC, a lossless open format that is
easy to work with and convert to whatever format you want.

If you do not know how to edit audio files, you'll want to download [Audacity][]
and read their wiki. I won't provide help myself. 

[Audacity]: http://audacity.sourceforge.net/




Usage conditions (tl;dr: none)
------------------------------
Because I live in a country that does not allow me to explicitly grant stuff to
the public domain, I have to resort to licensing these sounds under the CC0
license, which does pretty much the same thing according to lawyers:
<http://creativecommons.org/publicdomain/zero/1.0/>

This authorization obviously does not extend to any of my other works. 

No credit is required nor expected if you use these sounds. In fact, if you insist
to credit me, ask me first if that's OK with me: I don't want to see my name
associated with unsavory stuff.

However, **I insist you tell me if you use them in a free or commercial product**.
I do not systematically record this sort of stuff, but I will if other people find
it good enough to use. Check <http://savioz.com/sfx/> to see if I've done more
(they will be released under similar terms).

          - Arnaud Savioz
    e-mail: ^^^^^^@^^^^^^.com




Volume 1 tracklist
------------------
* 4D racetrack.flac
* Airy bassy drone.flac
* Boeings going 'Boing'.flac
* Boom then pffft.flac
* Brutal fancy hits.flac
* Debate with space rifles.flac
* Digital eldritch abomination chews on mortals, digests them, then farts.flac
* Explosions are exploding repeatedly.flac
* Feedbacking the long tail.flac
* Gated charge.flac
* Hateful cyberbirds make an unsufferable racket because they hate you.flac
* I hear some intellectuals call this sort of performance "noise music" and
  they pay to witness it.flac
* Illegal aftermarket klaxon.flac
* Laser jew's harp.flac
* Long clean charge.flac
* Long flange at close range.flac
* Manual bleeps.flac
* Metallic people getting tortured normally.flac
* Motorized fireworks.flac
* Mutant helicopter decelerating.flac
* Oh no more birds.flac
* Pew pew guitar.flac
* Stereophonic brutality.flac
* Sub-bass ambiance.flac
* Tesla bitcrush.flac
* The most unremarkable file of this collection.flac
* Ultra-generic 2000 future with flying cars.flac
* Unpleasant stuff happening in a factory.flac
* Unsuccessful attempts at using matches.flac
* Vroom buzz.flac


Released on 2010-03-03

Surtout, faites-moi savoir si vous trouvez ça utile : je poste pour voir si ça intéresse, pour voir si je continue d'enregistrer et partager les accidents sonores qui m'arrivent.

Téléchargements
• Volume 1 - 145.78MB - 3 Mars 2010

[roger]

Je trouve certains sons assez stimulants . Par contre il faut dire qu'ils sont plutôt adaptés à des projets futuristes ou de type arcade (enfin je trouve). Je les verrais particulièrement indiqués pour un jeu dans un univers SF abstrait (genre une adaptation de Flatland de E.Abbott).
Sinon ça fait penser à Tron mais ça c'est classique.